{"product_id":"limestone-and-felt","title":"Limestone \u0026 Felt","description":"\u003cp\u003e\u003cspan class=\"greytext-norm\"\u003efor cello \u0026amp; viola\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"greytext-norm\"\u003eduration: 6'\u003cbr\u003epremiered in the Netherlands, January 2012, by Hannah Collins \u0026amp; Hannah Shaw\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003chr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eLimestone \u0026amp; Felt\u003c\/strong\u003e\u003c\/em\u003e presents two kinds of surfaces – essentially hard and soft. These are materials that can suggest place (a cathedral apse, or the inside of a wool hat), stature, function, and – for me – sound (reverberant or muted). In limestone \u0026amp; felt, the hocketing pizzicato and pealing motivic canons are part of a whimsical, mystical, generous world of sounds echoing and colliding in the imagined eaves of a gothic chapel. These are contrasted with the delicate, meticulous, and almost reverent placing of chords that, to our ears today, sound ancient and precious, like an antique jewel box. Ultimately, felt and limestone may represent two opposing ways we experience history and design our own present.\u003c\/p\u003e","brand":"Caroline Shaw Editions","offers":[{"title":"Default Title","offer_id":370005443,"sku":"","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0273\/1909\/products\/3536324599_d72161c15e_m.jpg?v=1380605920","url":"https:\/\/carolineshaw.com\/products\/limestone-and-felt","provider":"CAROLINE SHAW EDITIONS","version":"1.0","type":"link"}